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自从美国探索频道在1985年开播以来,纪录片的娱乐化就已经成为学界研究的热点。央视于2001年7月9日开播的《探索·发现》,成功的将这一理念引入中国,运用美国探索频道纪录片的拍摄方式,将内容本土化,立足于中国的已知现状和未知领域,使内容更加贴合中国观看者的需要。《探索·发现》以纪录片的手法,讲述以中国为主的历史、地理、文化的故事,探寻自然界的神奇奥秘,挖掘历史事件背后鲜为人知的细节和人物命运,展示中华文明的博大恢弘,是“中国的地理探索,中国的历史发现,中国的文化大观”。本文从该栏目于2007年10月12日播出的一期《寻找布洛陀》入手,试图分析《探索·发现》是如何在娱乐话语下进行悬念设置的。
Since the Discovery Channel was launched in 1985, documentary entertainment has become a hot topic in academia. CCTV launched “Discovery and Discovery” on July 9, 2001 and succeeded in introducing this concept into China. Using the filming methods of the United States to explore channel documentaries, the content localization was based on the known status quo and unknown areas in China. Make the content more fit the needs of Chinese viewers. “Discovery and Discovery” uses documentary techniques to tell stories of history, geography and culture dominated by China, to explore the magical mysteries of nature, to discover the little-known details and figures behind the historical events, to show the magnificence of Chinese civilization, Is “China’s geographical exploration, the discovery of China’s history, China’s cultural concept.” This article starts with “Searching for Buluotuo”, which was broadcast on October 12, 2007, in this section, trying to analyze how “Discovering and Discovering” is set up under the suspense of entertainment discourse.