影像艺术家张巍的作品惯以深沉的视觉语言重申着他对身体与身份问题的关注,而在其近作《人工剧团》(Artificial Theater)中,张巍通过一种“对话格局”更多地将上述问题拓展到对观者观看经验的讨论上。经验素来与人类认识的形成密切相关。它有两个维度,一方面,来源于人们日常感受与实践的经验,经过不断累加、整合、记忆与传承,在历史谱系中 Zhang Wei, the artist of video, reiterated his concern about the issue of body and identity with his deep visual language. In his recent Artificial Theater, Zhang Wei passed a dialogue format more This problem was extended to discuss the viewer’s experience. The experience has always been closely related to the formation of human knowledge. It has two dimensions, on the one hand, from the experience of people’s daily experience and practice, after continuous accumulation, integration, memory and inheritance, in the historical pedigree