对于一个文化物,我们应当倾注足够的关注,一方面是对于文化的尊重,另一方面也是一种保留。作为文化边缘产物的动漫依旧承载了文化衍生期的诸多意象,它是作者的主观意愿的理想性表达,结合了图画与说明,是情节生动再现的形式。作者展现出这样一幅发展的新局面,是将文化物的地位从边缘拉到边远的动作,当然以人的主观欣赏为主要能动才是将其从边远拉回身边的最佳方式。 For a cultural property, we should devote enough attention to it, on the one hand, respect for culture, on the other hand, it is also a reservation. Animation as a product of cultural edge still bears many images of the period of cultural derivation. It is the ideal expression of the author’s subjective intention. It combines the drawings and explanations and is a vivid reproduction of the plot. The author shows that such a new situation of development is an action that pulls the status of cultural objects from the margin to the remote. Of course, taking the subjective appreciation of people as the main initiative is the best way to pull it back from the remote.