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大约16世纪,当越来越多的西方人将搜集到的美术作品陈列于自家府邸的回廊时,“Gallery”一词产生了,这即是“画廊”一词的起源。而艺术品市场里真正意义的画廊形成是在19世纪以后,当时随着资本市场经济的发展,艺术品的商品属性趋势被表现得越发明显,以经营艺术品为职业的画商随之应运而生,这些画商用以销售和陈列艺术作品的场所被称之为现代意义上的画廊。此时的画廊在展览属性上已经与美术馆的性质相同,尽管其规模不能与美术馆相比,但是它已经形成了普通观众欣赏艺术作品的另一种公开陈列场所,而且画廊在艺术品的收藏上更具作品或艺术流派的针对性。而今,画廊作为艺术市场中不可或缺的艺术机构,在一定的区域内其生存发展状况如何,怎样能将一所画廊成功运营显得尤为重要,特别是在中国这一年轻的艺术市场中。
Around the 16th century, as more and more Westerners brought the collected works of art to the corridors of their own mansion, the word “Gallery” was born. This is the origin of the word “gallery.” The real meaning of the gallery in the art market was formed after the 19th century. At that time, with the development of the capital market economy, the tendency of the art of merchandise attributes was more and more obvious, and the art dealers operating professionally came into being The places where these art dealers sell and display works of art are called modern galleries. The galleries at this time have the same properties as the art galleries in terms of their exhibition properties. Although they can not be compared with galleries in size, they have formed another public display place where ordinary viewers can enjoy works of art, Collection of more works or artistic genre targeted. Nowadays, as an indispensable art institution in the art market, how gallery can survive and develop in a certain area is particularly important. Especially in the young art market in China.