自20世纪80年代发表处女作《十八岁出门远行》开始,余华的作品就一直在描写苦难。不管是在先锋时期以死亡为写作主题,还是后期转型后在苦难中加入温情的因素,苦难作为余华作品的主要描写对象,未曾变过。那么余华缘何对苦难如此执著?本文将从余华的童年经历、文革时期的成长记忆及受外国文学的影响这三个方面入手,去细细探究余华如此钟情于苦难的原因。余华是中国当代著名作家,从20世纪80年代 Since the 1980s debut debut “Eighteen Going Far”, Yu Hua’s work has been describing misery. No matter in the avant-garde period as the theme of writing for death, or after the transformation of the late transition into the affair of misery, suffering as the main description of Yu Hua’s work has not changed. So why is Yu Hua Yuan attached so much to misery? This article will start with Yu Hua’s childhood experience, the memory of the Cultural Revolution and the impact of foreign literature, to explore the reason why Yu Hua is so fond of suffering. Yu Hua is a famous contemporary Chinese writer, from the 1980s