作为中国传统声乐理论的集大成者,清代词曲学家徐大椿的著作《乐府传声》系统性地总结了历代唱曲经验和声乐演唱理论。该书以融会贯通的姿态,在继承元代燕南芝庵《唱论》、明代魏良辅《曲律》等声乐理论著作的同时,溯本追源,传声示法,对传统声乐演唱中的字、声、气、情、韵等诸多领域进行了细致入微地探讨。而它在混声唱法、声音形态、真假声、高音技法等方面的创新性阐述,至今对于中国声乐理论与声乐表演仍有一定的借鉴意义。 As a master of Chinese traditional vocal music theory, Qing dynasty songwriter Xu Dachun’s book Yuefu Biography systematically summarizes the history of singing experience and vocal music theory. The book with a masochistic attitude, the succession of the Yuan Dynasty Yanan Zhi An “Singing”, the Ming Dynasty Wei Lian Fu “Melody” and other vocal theory works at the same time, trace the source, the sound of traditional Chinese vocal singing in the word , Sound, gas, love, rhyme and many other areas were meticulously discussed. However, it still has some referential meanings in vocal music theory and vocal performance in China since its innovative explanation in mixed singing style, sound shape, true and false sound and treble technique.