论文部分内容阅读
儒家的中庸中和观众对中国文化有巨大影响 ,可以说 ,它是儒家思想的基本精神 ,也是中国文化的基本特征之一。孔子的中庸之道 ,反对过犹不及 ,强调中和、和谐 ,用“叩其两端”来把握事物之对待 ,反对固执一端而失之于偏颇。“中庸”、“中和”之说由孔子首倡 ,而战国中后期 ,孔门弟子大加发挥 ,遂出现《中庸》一书 ,全面阐发了儒家的中和、中庸思想。“中庸”精神对中国传统艺术有深刻的影响 ,本文试图从对中国传统戏曲音乐创作思维特点及传统戏曲音乐在形态上所呈现出的特征的分析入手 ,来探寻儒家“中和”观对传统戏曲音乐的影响作用。
The Confucian neutrality and the audience have great influence on Chinese culture. It can be said that it is the basic spirit of Confucianism and one of the basic characteristics of Chinese culture. Confucius’s doctrine of neutrality is against unforeseen problems, emphasizes neutrality and harmony, grasps the treatment of things with “tapping both ends”, and opposes stubbornness and loss of preference. The doctrine of “moderate” and “neutralization” was first advocated by Confucius. In the middle and late Warring States period, disciples of Confucius played a large role and appeared the book Golden Mean, which comprehensively expounded Confucianism’s principle of neutrality and doctrine of the mean. The “Golden Mean” spirit has a profound influence on Chinese traditional art. This paper tries to probe into the Confucian “Neutralization” concept from the characteristics of the traditional Chinese opera music thinking and the characteristics of traditional opera music The Influence of Opera Music.