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纵观西方美术史,绘画观念与图像边线有着不可分割的联系。绘画样式的变化喻示着绘画观念的潮流以及演变。文章试图节选部分艺术作品,并定格于作品图像的边线,通过对其形式特点、处理手法等方面加以分析,进而从新的角度探讨其背后绘画观念的变化。
Looking at the history of Western art, the concept of painting has an inextricable link with the image edge. Changes in painting style show the trend of painting ideas and evolution. The article attempts to excercise some of the works of art and fix them on the edges of the works’ images. By analyzing their formal features, handling methods and other aspects, the paper discusses the changes of the painting ideas behind them from a new perspective.