吉尔·德勒兹说:“一个伟大的画家从他的角度出发去重新看待整个绘画史的方式永远都不会是折中的。”在他将自己的概念带入对弗朗西斯·培根的画作的分析时,他认为培根对历史的重新看待可以体现为其艺术中的一些停止点和过渡点,从而得以取出或重新创造出一段自由的历史。而在培根所考虑的停止点或过渡点中,其对绘画空间中形象的隐射与塑造是极为重要的。在培根作品所营造的空间之中,他以怪诞扭曲的想象给 Jill Deleuze said: “The way a great painter looks at the history of painting from his point of view is never a compromise.” "When he brought his concept to Francis Bacon’s In his analysis of painting, he thinks Bacon’s review of history can be reflected in some stops and transition points in his art, so as to remove or recreate a period of free history. However, at the stopping point or transition point considered by Bacon, it is extremely important for the concealment and shaping of the image in the painting space. In the space created by Bacon’s work, he gave it with a grotesque twist