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在美学发展的历程中,不少美学家提出过“关系说”美学观和“审美关系论”美学观。这些观点表面上相似,实则具有不同的内涵,需要认真辨析。法国启蒙哲学家狄德罗站在唯物论立场上试图以“关系说”来整合主客观和感性理性,拓宽美学研究境界。中国当代美学家周来祥则自觉从哲学品性上以“关系说”为逻辑基点来构建“和谐论”美学观。另一位当代美学家蒋孔阳则把“审美关系”当作美学研究的根本问题和出发点,并以“实践本体论”为哲学基础,构建出了以“创造论”为理论核心的极富包容性的美学思想体系。
In the course of the development of aesthetics, many estheticians put forward the esthetics concepts of “relational theory” and the aesthetic theory of “aesthetic relation”. These views are seemingly similar but actually have different connotations and need careful analysis. Diderot, the French enlightenment philosopher, stood on the materialism standpoint and attempted to integrate subjectivity, subjectivity and sentimental rationality with “relational theory,” and broaden the aesthetics of aesthetics. Zhou Lai-xiang, a contemporary Chinese aestheist, conscientiously constructs the aesthetic concept of “harmony” from the philosophical character of “relations”. Another contemporary aestheist, Jiang Kongyang, regarded “aesthetic relations” as the fundamental problem and the starting point of the study of aesthetics, and based on the “practical ontology” as the philosophical basis, he constructed the extremely inclusive Aesthetic system of thought.