读新作,或者旧作重读,每每想到文学上带有普遍性、规律性的题义上去。有所得,即记而成文,不觉积得多篇了,想到该整理一下。人的两度展开和爱的双重演奏多年前我表述过:文学应该是世俗性与精神性、现实性与终极性的有机组合。记得这样说是针对彼时一些作品或有爬行于世俗或有高蹈于现实的倾向而言,对于此类作品的风行有所厌倦、反感,以为两种弊端实乃导致作品失落思想力抑或临场感的因由。如今读完周国忠先生的《弟弟最后的日子》,一下子想到这层意思上去,恰恰是因了私下以为,在自己近些年的阅读 Reading new books, or old reread, often thought of literary universality, regularity goes up. Proceeds, that is recorded and written, do not feel much plot, and think of the order. The double play of human beings and the double play of love I said many years ago: Literature should be an organic combination of secularity, spirituality, reality and ultimate. I remember saying that in the light of the tendency of some works of the past to crawl in the secular world or to have a higher degree of reality, we are tired of and resentful about the popularity of such works. Feeling of reason. Now read Mr. Zhou Guozhong’s “brother’s last days,” suddenly thought of this layer of meaning up, precisely because of private opinion, in their own reading in recent years