陶瓷艺术在中国有着悠久的历史。以往传统陶艺作品多为放置在室内空间供人欣赏把玩,所以大都作品尺寸不大。但是在中国经济持续增长,人民的生活水平日益提高所带来了城市化大背景下,大尺度的环境景观陶艺开始以它兼具清新、质朴、原始的艺术气质出现在各种不同的公共环境里,丰富和影响了公众的视觉质素从而成为公共环境景观艺术门类中新的介入形式,打破了以往公共环境艺术中金属、石材、水泥等材质一统天下的格局。本文旨在从分析环境景观陶艺的艺术特性入手,探讨陶艺创作者如何开拓陶艺创造新语言,才能让陶艺这一传统艺术抓住城市公共环境景观建设的机遇从而焕发新的生命力。相信通过努力会有更多突破传统工艺观念和开拓新的艺术形式的环境景观陶艺矗立着是我们的城市美化我们的生活环境。这无疑是对我国这样一个陶瓷文明古国传统文化的认同与传承,势必会让传统陶艺重新绽放新的光芒。 Ceramic art has a long history in China. In the past, most of the traditional pottery works were placed in the interior space for people to enjoy and play, so most works are not big in size. However, under the background of the urbanization caused by China’s sustained economic growth and rising living standard of the people, large-scale environmental landscape pottery began to appear in various public environments with both freshness, simplicity and primitive artistic qualities Which has enriched and influenced the visual quality of the public and thus became the new form of intervention in the landscape arts of the public environment. It broke the pattern of dominated the world by materials such as metal, stone and cement in public environmental art. The purpose of this paper is to analyze the artistic characteristics of environmental landscape pottery and to explore how pottery creators can develop pottery and create new language so that the traditional art of pottery can seize the opportunity of landscape construction in urban public environment to rejuvenate new vitality. It is believed that through our efforts, there will be more environmental landscapes that break through traditional craft concepts and open up new art forms. Ceramic stands for our city to beautify our living environment. This is undoubtedly the recognition and inheritance of such a traditional culture of ceramic civilization in our country, and it is bound to make the traditional ceramics bloom again with new light.