畫家在他的主題晝工作中所遇到的許多問題,我覺得有一個特別重要,这个問題就是人物的形象在構图中的作用問题。德米特里耶娃在她的論文‘論美術家的创作構思’中,提出了一个很正確的意見:造型藝術的思想,在美術家的最初的構思中便應獲得形象的表現。思想在美術家那裹產生的時候,如果缺少視覺形象,那就證明主題的選擇是抽象的,而這主題事实上對於美術家是陌生的,不是美術家在創作上所感受到的。 I find it particularly important for many of the problems encountered by painters in the daytime work of his theme, which is the question of the role of the figure’s image in composition. In her essay On the Creation of Artists, Dmitryeva put forward a very correct opinion: the idea of ​​plastic arts should be vividly represented in the artists’ original ideas. In the absence of a visual image when thought is wrapped up by the artist, the choice of the subject is proved to be abstract, and the subject is, in fact, unfamiliar to the artist and not felt by the artist in his writing.