20世纪末,人们开始越来越多地试图从消费和时尚文化的角度去考察王尔德及其唯美主义思想。受此影响,本文分析了19世纪末维多利亚时代崛起的商品消费文化,并且以王尔德的长篇小说《道连.格雷的画像》作为研究对象,着重分析了小说中的商品消费、享乐观以及时间体验,力图从文本和历史之间横亘的属于无意识层面的文化权力来证明文化作为一个意义系统是如何影响着王尔德的主要作品的。 At the end of the twentieth century, people began to try more and more to examine Wilde and his aestheticism from the angle of consumption and fashion culture. Affected by this, this article analyzes the rise of commodity consumption culture in the late Victorian era of the 19th century, and takes Wilk’s novel “Portrait of Dorian Gray” as the research object, focusing on the analysis of the consumption of goods, enjoyment of pleasure and time experience in the novel, Seeks to demonstrate how culture, as a system of meanings, affects Wilde’s main work, from an unconscious cultural power that spans between text and history.