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美既是复杂的,又是简单的。说其复杂,在美学界,至今仍是众家纷芸,其说不一;论其简单,丑的反面就是美,或者说美的反面就是丑。就美感而言,审美主体认为美的不再认为是丑;反之,审美主体认为是丑的不会使其感到美。美与丑是对立的,又是统一的。二者并存于这个物质世界之中。美既是具体的,又是抽象的;既是审美客体的具体属性,又并非全部决定于审美客体。这取决于人们对于美的感性认识、理解程度等诸方面因素,即取决于人们的审美观。美是人们审美体验中的具体现象,是一种物象在人的审美视觉中的反映。产生这种反映的原因是多方面的,除了社会共同的审美心理以及个人的审美修养、审美情趣之外,还有客观的物象本身所具有的形象感染力。关于美,无论是具象的、抽象的,还是主观的、客观的,或是主客观统一的等等不同观点,笔者认为,无不是在统一的矛盾运动之中所产生的力和力的作用。这是主要的,也是最基本的核心。
Beauty is both complicated and simple. To say that its complexity, in the esthetic world, is still numerous and diverse, its different; on its simple, ugly negative is the United States, or the opposite of beauty is ugly. In terms of beauty, the aesthetic body thinks that beauty is no longer considered ugly; on the contrary, the aesthetic body does not feel it ugly. Beauty and ugliness are antithetical and unified. Both exist in this material world. Beauty is both concrete and abstract; it is not only the specific attribute of the aesthetic object, but not all of it determined by the aesthetic object. It depends on people’s perceptual understanding of the United States, the level of understanding and other factors, that is, depends on people’s aesthetic. Beauty is the specific phenomenon of people’s aesthetic experience, which is a reflection of the object’s image in human’s aesthetic vision. There are many reasons for this reflection. Apart from the common aesthetic psychology of the society, as well as the individual’s aesthetic cultivation and aesthetic taste, there is the image appeal of the objective object itself. With regard to beauty, whether it be abstract, abstract, subjective, objective, subjective and objective, and so forth, the author believes that all are the forces and forces generated by the unified contradictions and movements. This is the main and the most basic one.