今日艺坛,能将诗、书、画、印四艺集于一身者已无多,这是“文革”后中青年文艺家传统文化素养脱档所造成的局面。一个文人艺术家,能兼四艺并不是一定四艺皆精,但其相互作用,潜移默化的结果,必滋养其尤为擅长的某一艺,使之内蕴深,格调高,技艺精湛,耐人寻味,具有非同一般的审美价值。东民兄即可作为一个范例。 Today art circles, poetry, books, paintings, printed four arts in one set no longer, this is the “Cultural Revolution” after the young and middle-aged literary and cultural achievements caused by the traditional off-file situation. A literati artist who can not combine four arts is not necessarily a master of four arts. However, as a result of his interaction and imperceptibleness, he will nourish one of his particular goodies to make it intrinsically deep, high-pitched, highly skilled, thought-provoking, Unusual aesthetic value. East Minxiong can be used as an example.