我从没有见过一座城市如此偏爱黑色,像绍兴这般。黑色的石头古街、黑色的船、黑色的瓦、黑色的门、黑色的窗、黑色的楼板,路边的树也是黑色的。墙倒是白色,但依然会镶上黑色的边。甚至不少现代化的大楼,其色泽,也是暗色调。行走在这个城市里,你一下子就触摸到《野草》的底色和那浓得化不开的情感,又想起了《铸剑》中那个黑色的人。你忽然明白,为什么鲁迅那么热爱木刻。木刻黑白分明的色调,就是他故乡的色调啊。鲁迅故里,已经不再属于鲁迅了,变成了绍兴文化,乃至整个越文化的长廊。鲁迅文化广场上,立着一面墙,刻有鲁迅的巨幅雕像,是鲁迅吸烟的样子,烟雾缭绕着他忧国忧民的面容。鲁迅故居与整个家族的房子连通在—起,里面建有鲁迅纪念馆、民俗风情园等。鲁迅家的 I have never seen a city prefer black, like Shaoxing so. Black stone ancient street, black boat, black tile, black door, black window, black floor, roadside trees are also black. The walls are white but still black. Even many modern buildings, the color, but also dark colors. Walking in this city, you suddenly touch the background of “weeds” and the feeling of enrichment, and think of the black man in Swords. You suddenly understand why Lu Xun so love woodcut. Woodcut black and white color, is the color of his hometown ah. Hometown of Lu Xun, no longer belongs to Lu Xun, into a Shaoxing culture, and even the whole more cultural promenade. Lu Xun Cultural Square, standing on a wall, carved with huge statue of Lu Xun, Lu Xun smoking look, smoke filled his face worry about the country. The former residence of Lu Xun and the entire family house connected - in which built Lu Xun Memorial Hall, folk customs Park. Lu Xun’s home