陆士谔的《血泪黄花》是最早叙述辛亥武昌革命的第一部小说。从叙事策略看,《血泪黄花》采取了“革命化”的总体叙述策略;从叙事的显层内涵看,《血泪黄花》构建了“大汉”与“贼满”的民族想象;从叙事的深层内涵看,《血泪黄花》中革命与爱情的交织隐含着“大我”与“小我”的互动与交融。《血泪黄花》中的革命叙事投射着一个时代的思想心态与理想激情。 Lu Shifang’s “Blood and Tears” is the earliest narrative Xinhai Wuchang Revolution’s first novel. From the perspective of narrative strategy, “Blood and Tears and Flowers” adopt the overall narrative strategy of “Revolutionization”; from the explicit connotation of narrative, “Blood and Tears” construct the nationalities of “Han” and “Thief” Imagine; from the deep connotation of narration, the intertwining of revolution and love in Blood and Tear implies the interaction and blending of “big self ” and “personal ”. The revolutionary narration in Blood and Tears highlights the ideological and ideological passion of an era.