陆蠡(1918—1942),是一位不该被遗忘的散文家。1933年开始创作,生活和创作的时间都很短,仅留下三本薄薄的散文集:《海星》、《竹刀》和《囚绿记》。但他以浓郁的诗意,小巧的格局和真纯的风格,在二十世纪三十年代的文坛悄然走过时,留下自己的足迹。 从宋玉的《九辩》起,“悲秋”一直成为诗赋的主题。写秋的诗文,如满地黄叶,堆积在文坛的每一段时空。 陆蠡说的,又是什么样的秋? Lu Xun (1918-1942), an essayist who should not be forgotten. In 1933, the time of creation, living and creation was very short, leaving only three thin essays: “Starfish,” “Bamboo Knives,” and “Prison Green Notes.” However, with his rich poetic, small format and pure style, he quietly passed away in the literary world of the 1930s and left his footprints. Starting from Song Yu’s “Nine Debates,” “Sad Autumn” has always been the theme of poetry and fu. Write autumn poetry, such as yellow leaves everywhere, stacked in the literary world of each time and space. Lu Yi said, what kind of autumn?