《浑脱》是经由中亚和新疆传入的“泼胡寒戏”而传入中国。在唐代宫廷,自武则天统治时期至玄宗初年,尤为盛行。后来泼胡寒戏被玄宗禁止,而《浑脱》舞曲继续融入了中原传统曲子《剑器子》《带竿子》之中,并获得了巨大的发展。唐代进一步将这一舞曲传播到日本,《浑脱》在日本又被进行了再创作。《浑脱》传播路径由中亚扩展到东亚大陆,在中古时期的中东亚音乐史上具有重要的地位。 “Hun Tuo” was introduced to China through “Splash and Hu Han” imported from Central Asia and Xinjiang. In the Tang Dynasty court, since the rule of Wu Zetian to Xuanzong early years, especially prevalent. Later, the poetic scene was banned by Xuanzong, while “Hunde” dance continued to integrate into the “traditional sword” and “pole with pole” in the Central Plains, and achieved tremendous development. In the Tang Dynasty, this dance was further spread to Japan, and “muddy off” was recreated in Japan. The transmission path of “muddy off” extends from Central Asia to East Asia and plays an important role in the history of Middle East music in the Middle Ages.