在清初“四王”里,王原祁秉承董其昌“南宗正脉”的艺术思想,引领了娄东画派成为清代画坛中持续时间最久的正统画派,在中国画史上占有不可忽视的历史地位。在王原祁的绘画中,他常常借助题诗、跋文、书法、印章等艺术手段,作为画面的补充、烘托和阐发,展现画家的思想情感,或具有补景之意,或具有平衡画面之功,或有增添诗意之趣,或有“以书入画”之理。王原祁作为清初著名山水画家,虽不以书法知名,但因生为时人,书法亦不可避免带有时代风气。由于康熙皇帝的喜爱和推崇,清代前期的书风基本笼罩在董其昌的影响之下。再加上,王原祁的祖父王时敏是明代董 In the early Qing Dynasty, in the “Four Kings”, Wang Yuan Qi Bingcheng, Dong Qichang and “Nanzong Zhengmai” art thought, led the Lou Dong School to become the longest lasting orthodox school in the Qing Dynasty painting circles, and had no history in Chinese painting Neglected historical status. In the painting of Wang Yuanqi, he often complements, contrasts and elucidates the images with the help of poem, postscript, calligraphy, seal and other artistic means to show the artist’s emotions or the idea of ​​fortifying the scene or to balance the power of the picture, Or have the added poetic interest, or have “the book into the painting ” reason. As a well-known landscape painter in the early Qing Dynasty, Wang Yuanqi, though not famous for calligraphy, can not but avoid inevitability with time because of his life. Due to the love and esteem of Emperor Kangxi, the style of the early Qing dynasty books was basically shrouded in the influence of Dong Qichang. Plus, Wang Yuanqi’s grandfather Wang Shimin is the Ming dynasty