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中国文学自《诗经》以来,就有抒情的传统,并成为几千年以来诗歌文学的主要特色。《诗经》以抒写集体情感为主,尚未充分表现作家个人的性灵和特色,《楚辞》已显示出这一点,但抒情的范围主要限于政治方面。至东汉末,《古诗十九首》和一些抒情小赋开始转向个人生命际遇之情的抒发,开启了魏晋南北朝文学的抒情风气,至此,中国文学的抒情已由集体情感的抒发转向了个人情感的抒写,与之相伴的文学理论亦由于文学创作实践的自觉以及人们对文学本质认识的加深,达到了一个很高的水平,陆机《文赋》中“诗缘情而绮糜”的提出,使文学抒情完全进入自觉化,是一个标志性的事件,影响了后世中国诗歌文学的抒情特色。
Since the “Book of Songs”, Chinese literature has its lyric tradition and has become the main feature of poetry literature for thousands of years. The Book of Songs mainly expresses the collective emotion, but it does not fully reflect the personal nature and characteristics of the writer. This has been demonstrated by the Chu Ci, but the scope of the lyric is mainly limited to the political aspects. By the end of the Eastern Han Dynasty, the expression of “nineteen ancient poems” and some lyrical Xiaofu turned to personal sentiments started the lyricism of the literature in the Wei, Jin and Northern and Southern Dynasties. Thus far, the lyricism of Chinese literature has shifted from the expression of collective emotion to the individual The expression of emotion and accompanying literary theory have also reached a very high level due to the awareness of literary practice and the deepening of people’s understanding of the nature of literature. Lu Ji’s “Wen Fu” It is an iconic event that the literary lyricism fully enters the self-consciousness, which affects the lyric features of later Chinese poetry and literature.