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注重意境的开创,是我国古代诗歌艺术的一个重要特征。关于意境的探讨,早在庄子的寓言、荀子的《乐论》和汉代的《礼记·乐记》中就已经显露端倪,到魏晋南北朝时便有了相当的基础,到明清之际更为发展充实,到近当代更是议论精微,许多诗家、评家从创作与鉴赏两个不同角度对意境问题进行过认真的探讨和阐发,但对意境成因的认识大多徘徊在主客观的统一,理解上也一直难以一致。笔者认为,古代诗歌意境之成因,从认识思维高度看,乃是反映和创造的统一,是艺术家和欣赏者基于艺术实践探索和把握客观事物与艺术特质关系并作出评判的审美活动及其结果。本文试图从这一角度论述古代诗歌意境之成因,以求教于学术界同仁。
Pay attention to the creation of mood, is an important feature of ancient Chinese poetry art. As for the discussion of artistic conception, as early as Zhuangzi’s parable, “Music Theory” by Xunzi and “Book of Rites Music” in the Han Dynasty, it has been revealed that there was a considerable foundation to the Wei, Jin and Northern and Southern Dynasties, More developed and substantiated, to modern times is more subtle discussion, many poets, critics from two different angles of creation and appreciation of artistic conception issues have been seriously explored and elucidated, but the understanding of the causes of artistic conception mostly hovering in the subjective and objective Uniform, understanding has also been difficult to agree. The writer thinks that the reason of the ancient poetic conception is from the perspective of cognitive thinking, but it is the unity of reflection and creation. It is the aesthetic activity and result of artist and appreciator exploring and grasping the relationship between objective things and artistic traits based on artistic practice. This article tries to discuss the reason of the ancient poetic mood from this angle, in order to seek the colleague in academia.