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在京都,传统的手工艺往往是互相依赖与启发几千年承传下来的技艺,却暗暗在移动蜕变之中。和伞上那些充满东洋味的图腾花彩,除了出现在和纸与和服之上,竟然在玻璃上也找寻到其影踪——都是玻璃狂东洋子的杰作。用得玻璃狂一词,东洋子对玻璃,固然有着让人匪夷所思的执着。为了想做到的,你愿意花多少时间?一年、五年、十年?东洋子若无其事地说:“我花了三十七年。”
In Kyoto, traditional handicrafts are often interdependent and inspired art inherited for thousands of years, but secretly in the mobile transformation. And the umbrellas are full of oriental flavor of totem, in addition to the paper and kimono above, even in the glass to find its trace - are the glass crazy Oriental masterpiece. Use the word glass crazy, Toyo glass, although it has incredible perseverance. In order to want to do, how much time are you willing to spend? One year, five years, ten years? Toon child said nothing: “I spent thirty-seven years.”