旧时嫁娶风俗中富家的嫁妆十分惊人:床、桌、器具、箱笼、被褥一应俱全,日常所需无所不包,发嫁妆的队伍绵延数里,故称“十里红妆”。想要还原如此声势浩大、礼仪繁复的婚庆场面,实非易事。在整个项目团队的商讨之下,我们最终选择使用惠山泥人来完成整个场景人物与故事情节的表现,并邀请仇凤发先生完成剧本原画的编绘工作。曾被郭沫若先生赞誉为“人物无古今,须臾出手中”的惠山泥人本身也是一项具有深厚历史 In the old days, the rich man’s dowry was very astonishing: the bed, the table, the utensils, the cages, and the bedding were all-inclusive. The daily needs were all-encompassing, and the ranks of the dowry lasted for miles. Want to restore such a massive, etiquette complex wedding scene, it is not easy. Throughout the discussion of the project team, we finally chose to use the Huishan clay figurines to complete the performance of the scene and the storyline. We also invited Mr. Qiu Fengfa to complete the original painting of the script. Has been praised by Mr. Guo Moruo as “character of all ages, must be shot ” Huishan mud itself is also a profound history