“图像”与“园林”的关联密切而广泛:图像之于园林,如园林营造中的“画意”即是;园林之于图像,如题材、形式各异的画作或图纸即是。本专栏围绕“图像与园林”话题,共汇集了5篇相关研究成果,依次探讨了“图像”作为一种研究载体或媒介的某些特点,以及古代、近代、现代园林的图像再现问题。张波讨论了建筑与园林“图像”的传播途径和存在机制,启发我们深入认识“图像”在研究方法论层面的意义。刘珊珊、黄晓继而研讨了图像作为研究材料的信度问题,并具体分析了明代私家园林绘画的写实特性及其成因,确证其作为某种可靠史料的价值。郭明友对明代沈周《东庄图》册页进行了深入的个案研 “Image ” and “Garden ” closely and broadly related: the image in the garden, such as the garden to create “painting” is; garden in the image, such as theme, different forms of paintings or drawings That is. In this column, we focus on the topic of “Image and Landscape” and collect a total of five related research results, discussing some of the features of “Image” as a research carrier or medium, as well as the images of ancient, modern and modern gardens Reproduce the problem. Zhang Bo discussed the ways and mechanisms of the spread of architecture and garden “images” and inspired us to understand the meaning of “image ” in the research methodological level. Liu Shanshan and Huang Xiao explored the reliability of the image as a research material and analyzed the realistic features and causes of the private garden paintings in the Ming Dynasty to confirm their value as a certain reliable historical material. Guo Mingyou conducted an in-depth case study on the album Shen Dong Zhou of the Ming Dynasty