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羌族释比法器种类虽然不是很多,但是各村寨的法器制作既有一定的相似性,也有诸多独特的特点。如何把这些功能相同而形制有各有特色的法器进行展示,必然要考虑法器本身的功能以及其蕴涵的内在思想。通过影像记录法事过程和实物并存的方式展览,不仅便于了解法器的外在形制,对于其功能也有较好的演示。法器的展示结合内在的思想体系,这样更能很好地展现法器与内在思想体系之间的关系。
Although there are not many kinds of Qiangs, the methods of making spells in the villages have certain similarities and unique features. How to present these same functions and shape their own unique instruments to implement them must necessarily take into consideration the function of the instrument as well as its inner thoughts. Through the process of image recording and physical coexistence of exhibitions, not only to facilitate the understanding of the external shape of the instrument, but also for its function better presentation. The display of the artifact combined with the internal ideological system can better demonstrate the relationship between the artifact and the internal ideological system.