一、文学主体的生命活力作为文学活动形态中的文学主体结构,是一个包容极为丰厚的动力世界。而往往只有依赖结构中最高级的某些品格实现的成果形态,才有可能进入本体结构的功能更新层次。至于绝大部分的结构品格,则只能在全面的现实生活、重构整体、再现新貌,才有希望在广泛的流转之中,保持永生的魅力。我们暂且不对这些最高级品格作具体解说,现在先看一看勃兰克斯的陈说,或许会获得某些启迪。“因为如果一个作家不深入到人类灵魂的本质,不深入到灵魂最深远的地方,如果他不敢,或者不能不顾后果而写作,如果他没有胆量象雕像那样赤裸裸地表现他的观念,不敢把人性如他们所显现的那样反映出来,即不增加一分也不减少一分,而是看公众的脸色行事,一味依从公众的偏见,无知,虚伪,鄙俗或者伤感情调——他或许可能(十之八九 First, the vitality of the main body of literature As the main structure of literature in the form of literary activity, it is an extremely dynamic world of inclusiveness. However, it is often possible to enter into the functional updating level of the ontology structure only by relying on the results achieved by some of the highest character types in the structure. As for the vast majority of structural character, we can only retain the charm of eternal life in a full range of real life, rebuild the whole, and reproduce the new appearance. For the time being, we will not give a concrete explanation of these top-level personalities. Let us first take a look at the words of Branx, who may gain some enlightenment. "Because if a writer does not go deep into the essence of the human soul and does not go deep into the most profound part of the soul, if he does not dare, or can not write without regard to the consequences, if he does not dare to express his ideas as naked as a statue To reflect human nature as they appear, that is, not to increase or to reduce one point, but to look at the public’s face, blindly follow the public’s prejudice, ignorance, hypocrisy, vulgarity or sentimentality - Ten to nine