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宋人谈论品鉴诗文书画时好用“韵”字,以黄庭坚最为突出。在黄庭坚的各式文体中,尤以题跋最喜言“韵”。题跋是勃兴于宋代的一种文体,山谷题跋在题跋的文体定型中发挥了关键的引领作用。题跋的出现时间,一般认为可追溯至唐代中叶。北宋的欧阳修在文集中新立“杂题跋”类目,收各类题跋二十七篇,正式创立了题跋文体。欧阳修的题跋文不仅跋某书、某文,还开始跋画、跋诗、跋书法,叙论结合,并融入鉴赏者的审美情感,初
When talking about the poetic painting of the Song Dynasty, it is easy to use “rhyme”, with Huang Tingjian being the most prominent. In Huang Tingjian all kinds of style, especially in the most preaching Postscript “rhyme ”. Postscript is a kind of style that flourished in the Song Dynasty. The inscription of postscript in the valley plays a key leading role in stylistic setting of inscriptions and postscripts. The emergence of inscriptions time, generally considered to be traced back to the middle of the Tang Dynasty. Northern Song Ouyang Xiu in the collection of new legislation “Miscellaneous Postscript ” category, received all kinds of inscription twenty-seven, formally established the inscription style. Ouyang Xiu’s postscript not only postscripts and texts, but also begins to write, postscripts, postscripts, narratives, and incorporates aesthetic appreciation of admirers.