我与书法结缘,始于抗日战争的前一年,受外公开蒙。外公吴天羽工书画篆刻,与族中著名书画家吴观岱交往甚密,常就书画的意趣和精妙促膝研谈于外公的“云庐”书斋。我虽年少,却耳濡目染,颇为向往。时至六岁,外公似觉孺子可造,便教我临柳公权《玄秘塔碑》,并授予笔法。中学开始我习小楷,先临《灵飞经》,后临赵孟頫《汉汲黯传》,每日课余一小时,常 I became attached to calligraphy and started the year before the war of resistance against Japan and was open to the public by my grandfather. Grandpa Wu Tianyu painting and calligraphy carving, and the well-known family painter Wu Kuan Dai very close, often on the painting’s interest and exquisite knee-jerk study in the grandfather’s “Cloud House ” study fast. Although I was young, but I was exposed, quite desirable. At six years of age, my grandfather felt that I could make a child, and taught me to Liu Gong’s “mysterious tower monument” and granted a brushwork. High school began my Xi Xiaokai, the first “Lingfei”, after Zhao Mengbei “Han Ji dark pass,” an hour after class, often