当代口语诗歌运动已有二十年历史,成就斐然,但它同时也带来了许多负面影响,被人们谑称为“口水诗”。本文重提口语诗的写作难度,并以格式的组诗《单向街》为例寻求口语诗写作的新范式。出于将来重建民族诗学的考虑,本文借用中国古代诗学概念,指出口语诗的写作必须坚持诗歌语言的诗性“本色”;诗人只有做到这一点,才可谓之“当行”。 Contemporary oral poetry movement has been 20 years of history, impressive, but it also brought many negative effects, people are jokingly called “saliva poetry.” This article revisits the difficulty of writing poetic poetry, and takes the form of poem “One-way Street” as an example to find a new paradigm for oral poem writing. For the sake of reconstructing national poetics in the future, this paper borrows the concept of ancient Chinese poetics and points out that the writing of oral poem must adhere to the poetic “character” of poetic language. Only when the poet does this can it be described as “going down the bush.”