人类的文化遗产离现代文明越来越远。那些已经毁灭的我们不再得见,那些仍然埋在地下的我们不得而知;即使是保留在地面上的也都日复一日地被风雨剥蚀,或是在博物馆中尘封土埋。当我们隔着陈列窗望见那些文明的碎片时总有些许陌生感。雅典的卫城只留下残垣断壁,西斯廷小教堂的壁画一天天褪色,竹简上记载的断句残篇也永难修复,破碎的文明带来的遗憾永远让我们有一种历史的失落感。然而在诸多的艺术门类中,只有音乐能够穿越历史的时空,保存着其艺术生命的鲜活。且不说那些保存至今的乐谱可供使用,就是若干个世纪前的乐器也仍然可以演奏。于是,透过音乐的旋律、和声、节奏,透过不同时代不同民族的弹拨、吹奏、打 Human cultural heritage is further and further away from modern civilization. We no longer have to see those who have been destroyed, and those who are still buried in the ground are not aware of it. Even the remains on the ground are eroded by the wind and rain day after day or buried in museums. There is always a sense of strangeness when we look at the fragments of civilization across the window. Acropolis of Athens, leaving only the ruins, the Sising chapel fresco fading day by day, bamboo slips recorded in the sentence fragments can never be repaired, the regret that the broken civilization will always let us have a sense of loss of history. However, in many art categories, only music can cross the time and space of history and preserve the vividness of its artistic life. Not to mention those saved to date scores are available, is that a few centuries ago the instrument can still play. Thus, through the melody of music, harmony, rhythm, plucked through different generations of different nationalities, playing, playing