中国当代写实油画,自马克西莫夫教学体系诞生至今,便处处与俄罗斯的写实油画风格产生纠葛——或是对其的完全继承,或是在其基础上的创新,或是对其的颠覆与解构。而部分对俄罗斯油画兴趣欠缺的艺术家,则受新中国成立前以刘海粟等人为代表的油画传统影响,更多地将目光投向印象派和后印象派。事实上,写实风景油画的真正开创者——法国巴比松画派,在中国却远没有得到应有的重视。在今天的中国艺术家所创作的风景油画中,想找到在巴比 Chinese contemporary realistic oil painting, since the birth of Maximov’s teaching system, has inflicted disputes with Russia’s realistic oil painting style everywhere - or its complete inheritance, innovation on its foundation, or its subversion And deconstruction. Some artists who lack interest in Russian oil painting are influenced by the traditional oil painting represented by Liu Haisu and others before the founding of New China, and more attention has been paid to the impressionist and post-impressionists. In fact, the real pioneer of realistic landscape painting, the French Barbican School, is far from being given due attention in China. Among the landscape paintings created by today’s Chinese artists, I wanted to find it in Barbie