论文部分内容阅读
感谢中国艺术研究院戏曲所和山西省戏剧研究所的盛情邀约,给了我这次重温往事、充电学习的机会。岁月如梭,转眼已是35年。1981年底,我和孟繁树兄被录取为张庚先生的博士研究生。为了逐步完善中国艺术研究院戏曲研究人才的结构布局和梯队建设,不断为近现代戏曲史研究积蓄力量,张庚先生决定我们俩在读博期间躲开传统戏曲史论的热点和亮点,选择相对比较冷僻的地方戏中的梆子戏作为主攻方向和学业重点。在张老师的
I am grateful to the invitation of the opera academy of China Academy of Art and Shanxi Provincial Theater Institute to give me the chance to review the past and charge for learning. Time flies, it has been 35 years. At the end of 1981, I and Mr. Meng Fan were enrolled as doctoral students of Mr. Zhang Geng. In order to gradually improve the structural layout and echelon construction of Chinese opera academics and constantly accumulate strength for the study of modern Chinese opera history, Mr. Zhang Geng decided that we both avoid the hot spots and highlights of the traditional opera history theory during the period of reading. Shuttlecock drama in the secluded local drama as the main direction and academic focus. Teacher Zhang