两宋绘画在隋、唐、五代的基础上获得新的发展,风格形制日趋多样,技法更加完备。许多山水画技法及表现形式都始创于这一时期。无论是皴法、笔墨或构图都在继承前人的基础上有所发展和创新。水墨画的主要表现风格,尤其在倡导“水墨为上”的文人画中,更占有主导地位。它以水为媒,以墨色的浓淡干湿为主要表现手段,追求笔情墨趣,画面单纯自然、生动活泼。可以说山水画画风在此时已经达到一个相当成熟的阶段。 The two Song dynasty paintings gained new development on the basis of the Sui, Tang and Five Dynasties, their styles and styles became more and more diversified and their techniques were more complete. Many landscape painting techniques and expressions were founded in this period. Either way, pen and ink or composition are based on the succession of predecessors have some development and innovation. The main style of performance of ink painting, especially in advocating “ink painting” literati painting, more dominant. It uses water as the media, using ink and light as the main means of performance wet and dry, the pursuit of pen ink, the picture purely natural, lively. It can be said that landscape painting at this time has reached a very mature stage.