论文部分内容阅读
美丽的女子,有过被叔父强暴的经历,庇护她的母亲早已撒手人寰,离过婚……如此惨痛的经历会以什么样的影像语言被叙述出来呢?观看韩国新锐导演李允基获得第九届釜山电影节大奖的作品《女人贞慧》时,常常会想起他的同龄人--中国第六代导演。的确,“残酷青春”这类主题是他们最为热衷的标签,在《苏州河》、《青红》、《小武》等影片中,我们已多次看到王小帅们如何将“残酷青春”与七十年代人的印记强有力地扭结在一起,我们也已习惯了血腥、阴暗、绝望的抗争,以至于“青春的表达”
Beautiful woman, had been raped by his uncle’s experience, sheltered her mother has long gone, divorced ... ... so painful experience will be described in what language of the image? Watch Korea cutting-edge director Li Yunji won the Ninth Busan Film Festival Awards “Woman Zhen Hui”, often think of his peers - China’s sixth generation of directors. Indeed, such topics as “brutal youth” are their most keen labels. In the videos such as “Suzhou River”, “Green Red” and “Xiao Wu”, we have seen many times how Wang Xiaoshuai cruelly extremes Youth “is strongly twisted with the imprint of the seventies, and we are accustomed to the bloody, gloomy and desperate protests that” youthful expression "