藉由村民影像计划和民间记忆计划,吴文光走上另一条路,不再暴露、揭示和展示现实的创痛,把纪录片回归到“一个人的影像方式”。这解决了困扰他多年的问题:做作品有什么用处?以及,我是谁?凌晨三点半,吴文光关了灯,上床睡觉—比往常晚了三个小时。头天,在花了九个小时,把三个片子顺利剪辑完成后,为了奖励自己,他连着看了六集美剧《大西洋帝国》,“极大地满足了我对黑帮片的想像”。通常情况 With the villagers’ imagery plan and the folk memory plan, Wu Wenguang took the other road and no longer exposed, revealed and demonstrated the pain of reality and returned the documentary to “a man’s image mode.” This solved the problem that plagued him for many years: what was the use of the artwork? And, who am I? At 3:30 AM, Wu was off the lamp and went to bed - three hours later than usual. The first day, after nine hours and three clips were successfully edited, he watched the six-episode drama “The Atlantic Empire,” “rewarding me greatly with my imagination of the gangster film.” Usually