目前,谈到版画创作,我们不能回避版画的出路这样一个现实问题:版画展览不算少,但观众却不多;版画出版物发行量很小,专业刊物的维持甚为艰难;大量作品仅有一年或几年一度的展出,以若干报刊为数甚少的发表为出路,也实在狭小得可怜。版画艺术的发展,如何面对这一现实?回顾新兴版画运动发展的历程,在政治大革命的年代,它曾以传单和宣传品的形式,投入为国家民族的自由与尊严而战斗的行列,与广大民众相结合。今天,面对另一场更为深刻的经济大革命,版画又将何以处之?目前这个态势于版画艺术的发展是有利或是不利呢? At present, speaking of the creation of printmaking, we can not evade the reality of printmaking: the printmaking exhibition is not few but the audience is small; the circulation of printmaking publications is very small and the professional publications are very difficult to sustain; the large number of works is only one Years or years of exhibitions, with a few newspapers published a small number of outlets, but also really pitiful. In the era of the Great Political Revolution, in the form of leaflets and propaganda materials, it has invested in the ranks of fighting for the freedom and dignity of the nation and for the development of print art, how to deal with this reality? The majority of people combined. Today, in the face of another more profound economic revolution, print and why it? The current situation in print art development is beneficial or unfavorable?