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电影《让子弹飞》运用独特的影视符号建构出鲁迅式语境,从剖析国民性到隐喻人生,再到政治讽刺和理想的表述,在光影间传递出一种鲁迅精神。影片对鹅城百姓的刻画,继承了鲁迅对国民性的批判,与鲁迅所揭示的国民性格中的“扮演”“瞒”和“骗”不谋而合。影片还彰显了鲁迅式的政治反讽,表达了追求社会“公平”的政治理想。在当下低俗滑稽之风盛行、故事情节粗制滥造的文艺界,《让子弹飞》是一个特立独行的标杆。
The film “Let the Bullets Fly” uses Lu Xun’s unique visual language to construct Lu Xun’s context, from analyzing nationality to metaphorical life, to political satire and ideal expression, and sending out a Lu Xun spirit in light and shadow. The portrayal of the goose city by the film inherits Lu Xun’s criticism of the national character and coincides with the “play”, “cheating” and “cheating” of the national character disclosed by Lu Xun. The film also highlights the Lu Xun-style political irony, expressing the pursuit of social “fair ” political ideal. In the present prevalence of vulgar and funny style, the plot of abstracted literary and art circles, “let the bullets fly” is a maverick benchmark.