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神思篇的出现,奠定了想象这一因素在艺术创作中对创作者而言是至关重要的,神思的妙得与否决定了艺术创作能否发生根本性的变化,是庸常之作抑或流光溢彩之作均源于神与思两者的精妙结合,神思兼备,方能成就艺术创作中绝佳上乘之作。迁想妙得这一命题的提出,源于东晋画家顾恺之,迁想妙得这一命题得如其名,即为发挥艺术想象,而并非简单粗犷的把握事物或人物外部的形态,只有把握万事万物之神韵,才为正道。自始至终,有人论及神思,有人论及迁想妙得命题的重要性,那迁想妙得的出现与神思两者之间又有何许关联,在这篇论文中我将浅薄、尽自己所能地论述。
The emergence of God’s thinking, laid the imagination of this factor in the art of creation is crucial to the creator, the magical wonder or not determines whether the fundamental creative changes in the art, is a commonplace or Ambilight stems from the subtle combination of both gods and thoughts, with all their spirits, in order to make great artistic achievements. The proposition of relocating wonderful works is originated from Gu Kai-zhi, a painter in the Eastern Jin Dynasty. His proposition of relocating wonderful works is as famous as his imagination. Instead of simply and wildly grasping the external form of things or characters, The charm, only for the right path. From beginning to end, some people talk about spiritual thinking, some people talked about the importance of immortal propositions, and that there is a correlation between the appearance of immortality and the idea of spiritualism. In this thesis, I will do my best Discussion.