自陶渊明《桃花源记》发现了这块桃源的净土之后,历代文人高士相继作文作诗,吟咏酬唱。诗文对匾至今留在桃花源的残壁断碣上。这里逐渐积淀成一块文化的沃土。我们这一群桃源的书法人借得这些文化光环的照耀,在这里正默默地耕耘着一片书法艺术的园地。我们还算是幸运的一代人。八十年代初形成的书法热潮把我们裹挟其中,当我们比较清醒的时候,已经走过了好几年的历程,但总算是上了这条路。八三年我县成立书法协会,从此一系列比较正规的书法活动才拉开了序幕。 Since Tao Yuanming’s “Peach Blossom Spring” has discovered the Pure Land of this piece of Taoyuan, successive literati and nobleman wrote poems and honored songs one after another. Poetry on the plaque so far remain in the Peach Blossom on the broken wall. Here gradually accumulated into a fertile land of culture. Our group of Taoyuan calligraphers borrow the shine of these cultural aura, where they are silently cultivating a field of calligraphy. We are still a fortunate generation. The calligraphic craze that began in the early 1980s ushered us in. When we were sober, we had gone through several years, but it was on the road. In 1983 the county set up a calligraphy association, from which a series of more formal calligraphy activities kicked off.