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在中国画艺术面前,墨守成规者显得市侩,亦步亦趋者显得无能,传承创新者显得睿智。《艺术沙龙》:您怎样评价“70后”“80后”画家的艺术创作?傅晓辉:由于“70后”“80后”的画家所接受的教育和成长环境的不同,在艺术创作上存在着一定的差异性。这个差异我认为主要体现在“80后”的画家更强调自我主观的审视与描述。《艺术沙龙》:您觉得“新水墨”会成为未来的主流吗?如何看待“新水墨”的发展?傅晓辉:我觉得“新水墨”会成为未来的主流的。
In the face of Chinese painting art, sticking to conventions appears to be marketable. Everyone who wants to succeed is incompetent, and it seems wise to inherit and innovate. “Art Salon”: How do you evaluate the artist’s artistic creation after “70s” and “80s”? Fu Xiaohui: Due to the education and growing environment accepted by the painters after “70s” and “80s” Different, there is a certain difference in artistic creation. This difference, I think, is mainly reflected in “80 ” painters more emphasis on self-subjective review and description. “Art Salon”: Do you think “New Ink ” will become the mainstream of the future? How to treat “New Ink ” development? Fu Xiaohui: I think “New Ink ” will become the mainstream of the future.