值此新旧世纪更替的历史当口，中国的改革与市场经济的步伐，大大加速了它自身现代化的进程，诚如一位中年文化学者所作的描述：“一个新的‘太平洋世纪’的雏形隐约闪现”①。但经济与文化的发展却严重失衡，大陆影坛则陷于文化转型的历史性阵痛之中。特别是，面对“入世”（ At the historical juncture of the changing of the old and the new century, the pace of China’s reform and market economy has greatly accelerated its own modernization process, as described by a middle-aged cultural scholar: “The embryonic form of a new Pacific Century faintly flashes ”①. However, the economic and cultural development has been seriously unbalanced. Mainland cinemas have been trapped in the historic pain of cultural transformation. In particular, in the face of “accession to the WTO”