在全国三百多个剧种中,歌仔戏是唯一诞生于台湾的剧种,无论是其音乐艺术本身还是作为连接横跨海峡两岸艺术文化的重要桥梁,都具有非同一般的历史意义。两岸对于歌仔戏的研究数不胜数,不过台湾学者相对集中在对其社会学以及文化学方面的研究,而大陆学者则较为偏重对其音乐本体方面的研究,其中比较重要的研究成果是王耀华1979年发表的论文《歌仔戏“七字调”的形成与发展》,但是全面并且系统性的有关 Among the more than 300 operas in the country, Taiwanese opera is the only Taiwanese opera that has its own historical significance, both as a musician itself and as an important bridge linking art and culture across the Taiwan Strait. There are numerous studies on Taiwanese opera between the two sides of the Strait. However, Taiwanese scholars are relatively concentrated on their sociology and cultural studies, while mainland scholars are more concerned about their musical ontology. Among them, the most important research result was published by Wang Yaohua in 1979 Thesis “Taiwanese opera” seven-character tune “the formation and development”, but comprehensive and systematic about