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作为画家,一旦形成自己的绘画语言,是很难自拔出来批评已有的模式。正所谓“不识庐山真面目,只缘身在此山中”。如何在固有的作品形态与样式中探索新的表现形式,已然是自己应面对和需要解决的问题。这段时间几乎没有动笔创作,每天徜徉在书籍之中,也翻看了很多有关美学和哲学的书籍,希望借此能开拓思路,寻找到一个适合自己又不失以往创作理念的表达形式的契合点。似有收获,但最大的收获就是使自己的心沉静了下来。有心理专家曾分析说:“一个人若是能在适当的时间选择做短暂的‘隐退’,不论是自愿的还是被迫的,都是
As a painter, once the formation of their own language of painting, it is difficult to extricate themselves from criticism of the existing model. The so-called ”Do not know the true face of Mount Lu, only edge in this mountain “. How to explore new manifestations in the form and style of the original works is already the issue that we should face and need to solve. There was almost no writing during this period. Every day, I read many books on aesthetics and philosophy in my books, hoping to explore ways to find a fit for oneself without losing the expression of past creative ideas. point. Seems to be harvested, but the greatest gain is to calm down your heart. Some psychologists have said: ”If a person can choose to do a brief“ retreat ”at an appropriate time, whether voluntary or forced, are