在中国的礼仪文化中,妇女只有在男人举行祭祖仪式时,才会作为最微不足道的角色参与。妇女一生中只有两个场合可以在公共场所进行仪式上的自我表现,即由妇女表演给她们的家庭成员及当地居民看的哭嫁与哭丧,因此非常重要。在整套仪式不同阶段中,分析了四个主要的歌唱部分。 In China’s ceremonial culture, women participate as the most neglected part of a man’s worship ceremony. Only two occasions in a woman’s lifetime can perform ritualistic self-expression in public, that is, the crying and the crying of women’s performances by their family members and locals. Therefore, it is very important. During the different stages of the ceremony, four main sections of singing were analyzed.