最近,贝伦特在《面向梵天——世界就是音响》一书中也指出了这一点。他尤其提到了非欧音乐及其在现代工业社会中对人的重要作用。“音乐无国界”这一口号意味着,世界任何地方的人,都具有相同的人类学素质去面对音乐的作用,正如祖潘在其《音乐人类学》一书中对此所作的断言,因为“音乐最强烈地表达了人在其文化中创造的情感冲动”(克劳斯迈尔语)。 “在任何时代,表达情感冲动的愿望或者欲望都是相同的。但是,如 More recently, Belem pointed out this in Brahma - the world is the sound. In particular, he mentioned non-European music and its importance to people in modern industrial society. The slogan “Music Without Borders” means that people anywhere in the world have the same anthropological quality to face the role of music. As Zupan asserted in his book “Musical Anthropology” Because “music most strongly expresses the emotional impulse that people create in their culture” (KraussMaier). "In any era, the desire or desire to express emotional impulses is the same, but if