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罗莎·卢森堡的文论有鲜明特色,就是始终申明无产阶级是人类一切传统优秀文化艺术的继承者。她的文艺思想主要是对文艺的政治学思考。她坚持用马克思主义观点去认识和分析文化和文学艺术的阶级属性,特别是在欧洲各国资产阶级民主主义革命和无产阶级革命交织的复杂情况下,对于资产阶级民族主义文化的进步意义和局限性做了细致分析。这些观点,对于建设无产阶级文化和无产阶级文学艺术都有积极作用。卢森堡关于文学与政治的当下性的密切联系的论述,深化了马克思主义的政治学文论。始终认为马克思主义文艺理论的建设和发展,必须要运用马克思主义的基本原理,密切联系无产阶级的生存条件和斗争任务,在新的无产阶级文学艺术作品中去提出新的问题。
The distinctive feature of Rosa Luxemburg’s literary theory is that it always affirms that the proletariat is the successor to all the fine traditional cultural arts of mankind. Her literary thinking is mainly political thinking of literature and art. She insisted on using the Marxist point of view to understand and analyze the class attributes of culture and literature and art, especially the progressive significance and limitations of the bourgeois nationalist culture in the complex situations in which European bourgeois-democratic revolutions and proletarian revolutions are intertwined Made a detailed analysis. These views have a positive effect on the construction of the proletarian culture and the proletarian literature and art. The discussion about the close connection between the current nature of literature and politics in Luxembourg deepens the Marxist theory of political literary studies. We always think that the construction and development of Marxist theory of literature and art must make use of the basic principles of Marxism and closely contact the living conditions and struggles of the proletariat to ask new questions in the new proletarian literary and artistic works.