明清小说评点用语借用了书法术语 ,诸如犯笔、起笔与结笔、顿笔与挫笔、实笔与虚笔、接笔与转笔、正笔与旁笔、重笔与轻笔、直笔与曲笔、奇笔与呆笔等。小说评点从书法入思 ,具有和书法艺术共同的文化意识。除了诗书同笔同字同时空外 ,还有更深层的认识论原因。中国古人思维方式重具象 ,抽象化程度不高 ,在抽象的批评概念中 ,暗示读者用图像的眼光去审视作品的空间结构和空间性能 Ming and Qing novels comment terms borrowed calligraphy terminology, such as guilty of pen, starting and ending pen, pen and frustration pen, pen and pen, pen and pen, pen and pencil, pen and pen, straight Pen and Qu Song, odd pen and pen and so on. Comments on the novel from the calligraphy into thinking, with the calligraphy and art of common cultural awareness. In addition to poetry and writing with the same word at the same time empty, there is a deeper epistemological reasons. In the abstract concept of criticism, the implication of the Chinese ancient way of thinking is that it has a high degree of figurative imagery and a low degree of abstraction. This implies that readers should examine the spatial structure and spatial performance