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米歇尔·康·阿克曼:在一次与武艺、刘庆和、李津、田黎明的对话中,你表达出,水墨就一种技术和材料的问题,比如人物画家,跟画人物的油画家从根本上来说没有很大的区别。我倒以为,水墨画(这个概念本身就有问题)是一个在西方艺术系统里不存在的对艺术的立场和实践。水墨画的主要来源是宋元以来的文人画,文人画有其自己的审美系统,也有对画家个人修养的要求。但是水墨画可以超越文人系统的审美和品位体系,所以,虽然文人系统没了,并不表明水墨画也一并消失。你
Michelle Kahn Ackerman: In a dialogue with Wu Yi, Liu Qinghe, Li Jin and Tian Liming, you expressed the issue that ink and wash is a technique and material, such as the figure painter and the painter Oil painters fundamentally no big difference. I suppose that ink painting (a concept itself has problems) is an art position and practice that does not exist in the Western art system. The main source of ink painting is the literati painting since the Song and Yuan dynasties. The literati painting has its own aesthetic system and also has the requirement of personal accomplishment of the painter. However, ink and wash paintings can transcend the system of aesthetics and taste of the literati system. Therefore, although the literati’s system is gone, it does not mean that the ink and wash paintings disappear together. you